Weekly Round up of International Exhibitions
1 – 8 March 2016
1 – 8 March 2016
Evelyne Axell, Ice Cream, 1964. Oil on canvas.
In the coming week there is:
Pipilotti Rist
Kunsthaus Zürich
Opening 26 February – 8 May 2016
A pioneering figure in video art, Pipilotti Rist has achieved international fame for her sensual and audacious video installations that tackle conventions an taboos in an entertaining, ironic and self-confident way. This exhibition presents key works from the beginning of her international career, including the early single-channel video with which she became known in the 1980’s. Rist will also be making a large-format installation in the expansive space of the Bührle gallery specially for the exhibition.
http://www.kunsthaus.ch/en/exhibitions/current/pipilotti-rist/?redirect_url=title%3DPoin
Kunsthaus Zürich
Heimplatz 1
CH–8001
Zurich
Switzerland
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Tony Cragg: Sculptures
Galerie Thaddaeus Ropac
Opening 21 February – 30 June 2016
A comprehensive solo exhibition of new sculptures by Tony Cragg – one of the most distinguished contemporary sculptors. The exhibition features 25 new sculptures of steel, bronze, wood, fibreglass and stone. This show coincides with one of the artist’s solo exhibitions at the Eremitage St. Petersburg and a retrospective at the Von-der-Heydt-Museum in Wuppertal.
http://ropac.net/exhibition/sculptures-3
Galerie Thaddaeus Ropac
69 Avenue du Général Leclerc
93500 Pantin
France
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Twisted
The Gallery of Hong Kong Art School
Opening 25 February – 10 March 2016
Six Higher Diploma in Fine Art students take on the task of revealing what the concept of ‘twisted’ means to them. They engaged in a collective brainstorm whereby a visual dialogue is developed through a series of turn-based actions. The results are exhibited in this display of art by some of Hong Kong’s up-and-coming artists.
http://www.hkac.org.hk/en/calendar.php?c=1&t=a&p=1&id=1895
Hong Kong Arts Centre
2 Harbour Road
Wan Chai
Hong Kong
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Ann Christopher RA: Drawing – The Lines of Time
Royal Academy of Arts
Opening 25 February – 29 May 2016
This exhibition presents a new series of drawings, The Lines of Time, by the aware-winning abstract sculptor Ann Christopher RA. This project was started while the artist was working in Southern France near the town of Albi. She describes the forms represented as originating from her experience of the ‘ever-changing effects of the climate and light on the landscape’ in that area.
https://www.royalacademy.org.uk/exhibition/ann-christopher-the-lines-of-time
Royal Academy of Arts
Burlington House
W1J 0BD
London
U.K.
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Wali Raad
The Institute of Contemporary Art Boston
Opening 24 February – 30 May 2016
Exploring the ways in which we remember and make sense of history; this is Walid Raad’s first comprehensive North American museum survey, whose work in photography, video, sculpture and performance in the last 25 years have been invested in exploring the distinctions between fact and fiction and the ways we represent, remember and make sense of history.
https://www.icaboston.org/exhibitions/walid-raad
The Institute of Contemporary Art Boston
100 Northern Avenue
Boston
MA 02210
U.S.A.
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International Pop
Philadelphia Museum of Art
Opening 24 February – 15 May 2016
Navigating the fast-paced world of Pop Art, this show displays the bold and thought-provoking imagery of a vibrant period shaped by social, political and cultural changes. Chronicling the movement’s emergence as an international phenomena, migrating from the UK and the US to western and eastern Europe, Latin America and Japan.
http://www.philamuseum.org/exhibitions/825.html
Philadelphia Museum of Art
2600 Benjamin Franklin Parkway
Philadelphia
PA 19130
U.S.A.
Open My Glade, Pipilotti Rist, 2000. Still from video installation.
Tony Cragg, Parts of Life, 2014. Bronze.
Twisted at the Hong Kong Arts Centre.
© Ann Christopher. Photo: Steve Russell.
Walid Raad, We are a fair people. We never speak well of one another_I, 1994/2003. Pigmented inkjet print. Courtesy the artist and Paula Cooper Gallery, New York. © 2016 Walid Raad.
Evelyne Axell, Ice Cream, 1964. Oil on canvas.